Plots Styles
2021年4月13日Register here: http://gg.gg/p105c
A plot style table in AutoCAD is a collection of plot styles assigned to a layout or to the Model tab. There are two types of AutoCAD plot style tables: color-dependent plot style tables and named plot style tables. Color-dependent AutoCAD Plot Style Tables (CTB). For information, see ’Use Plot Styles to Control Plotted Objects.’ Open the Plot Style Table Editor with any of the following methods: Double-click a CTB or STB file in the Plot Style Manager. Right-click a CTB or STB file in the Plot Style Manager, and then choose Open from the shortcut menu. Style sheets reference¶. This script demonstrates the different available style sheets on a common set of example plots: scatter plot, image, bar graph, patches, line plot and histogram.The Seven Basic Plots AuthorChristopher BookerLanguageEnglishPublished2004Pages736Preceded byThe Great Deception Followed byScared to Death: From BSE to Global Warming
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for thirty-four years.[1]Summary[edit]The meta-plot[edit]
The meta-plot begins with the anticipation stage, in which the hero is called to the adventure to come. This is followed by a dream stage, in which the adventure begins, the hero has some success, and has an illusion of invincibility. However, this is then followed by a frustration stage, in which the hero has his first confrontation with the enemy, and the illusion of invincibility is lost. This worsens in the nightmare stage, which is the climax of the plot, where hope is apparently lost. Finally, in the resolution, the hero overcomes his burden against the odds.
The key thesis of the book: ’However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story. Ultimately it is in relation to this central figure that all other characters in a story take on their significance. What each of the other characters represents is really only some aspect of the inner state of the hero himself.’The plots[edit]Overcoming the Monster[edit]
Definition: The protagonist sets out to defeat an antagonistic force (often evil) which threatens the protagonist and/or protagonist’s homeland.
Examples: Perseus, Theseus, Beowulf, Dracula, The War of the Worlds, Nicholas Nickleby, The Guns of Navarone, Seven Samurai (The Magnificent Seven), James Bond, Jaws, Star Wars, Attack on Titan.Rags to Riches[edit]
Definition: The poor protagonist acquires power, wealth, and/or a mate, loses it all and gains it back, growing as a person as a result.
Examples: Cinderella, Aladdin, Jane Eyre, A Little Princess, Great Expectations, David Copperfield, The Prince and the Pauper, Brewster’s Millions. The Jerk.The Quest[edit]
Definition: The protagonist and companions set out to acquire an important object or to get to a location. They face temptations and other obstacles along the way.
Examples: The Iliad, The Pilgrim’s Progress, The Lord Of The Rings, King Solomon’s Mines, Six of Crows, Watership Down, Lightning Thief, Raiders of the Lost Ark, Monty Python and the Holy Grail.How To Add Plot Style CadVoyage and Return[edit]
Definition: The protagonist goes to a strange land and, after overcoming the threats it poses or learning important lessons unique to that location, they return with experience.
Examples: Ramayana, Odyssey, Alice’s Adventures in Wonderland, Goldilocks and the Three Bears, Orpheus, The Time Machine, Peter Rabbit, The Hobbit, Brideshead Revisited, The Rime of the Ancient Mariner, Gone with the Wind, The Third Man, The Lion King, Back to the Future, The Midnight Gospel.Comedy[edit]
Definition: Light and humorous character with a happy or cheerful ending; a dramatic work in which the central motif is the triumph over adverse circumstance, resulting in a successful or happy conclusion.[2]Booker stresses that comedy is more than humor. It refers to a pattern where the conflict becomes more and more confusing, but is at last made plain in a single clarifying event. The majority of romance films fall into this category.
Examples: A Midsummer Night’s Dream, Much Ado About Nothing, Twelfth Night, Bridget Jones’s Diary, Music and Lyrics, Sliding Doors, Four Weddings and a Funeral, The Big Lebowski.Tragedy[edit]
Definition: The protagonist is a hero with a major character flaw or great mistake which is ultimately their undoing. Their unfortunate end evokes pity at their folly and the fall of a fundamentally good character.Plot Styles
Examples: Anna Karenina, Bonnie and Clyde, Carmen, Citizen Kane, John Dillinger, Jules et Jim, Julius Caesar, Macbeth, Madame Bovary, Oedipus Rex, The Picture of Dorian Gray, Romeo and Juliet.Rebirth[edit]
Definition: An event forces the main character to change their ways and often become a better individual.
Examples: Pride and Prejudice, The Frog Prince, Beauty and the Beast, The Snow Queen, A Christmas Carol, The Secret Garden, Peer Gynt, Groundhog Day.The Rule of Three[edit]Matplotlib Plot Styles
’Again and again, things appear in threes . . .’ There is rising tension and the third event becomes ’the final trigger for something important to happen’. We are accustomed to this pattern from childhood stories such as Goldilocks and the Three Bears, Cinderella, and Little Red Riding Hood. In adult stories, three can convey the gradual working out of a process that leads to transformation. This transformation can be downwards as well as upwards.Booker asserts that the Rule of Three is expressed in four ways:
*The simple, or cumulative three, for example, Cinderella’s three visits to the ball.
*The ascending three, where each event is of more significance than the preceding, for example, the hero must win first bronze, then silver, then gold objects.
*The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf.
*The final or dialectical form of three, where, as with Goldilocks and her bowls of porridge, the first is wrong in one way, the second in an opposite way, and the third is ’just right’. [3]Precursors[edit]
*William Foster-Harris’ The Basic Patterns of Plot sets out a theory of three basic patterns of plot.[4]
*Ronald B. Tobias set out a twenty-plot theory in his 20 Master Plots.[4]
*Georges Polti’s The Thirty-Six Dramatic Situations.[4]
*Several of these plots can also be seen as reworkings of Joseph Campbell’s work on the quest and return in The Hero with a Thousand Faces.Reception[edit]
Scholars and journalists have had mixed responses to The Seven Basic Plots. Some have celebrated the book’s audacity and breadth. The author and essayist Fay Weldon, for example, wrote the following (which is quoted on the front cover of the book): ’This is the most extraordinary, exhilarating book. It always seemed to me that ’the story’ was God’s way of giving meaning to crude creation. Booker now interprets the mind of God, and analyses not just the novel – which will never to me be quite the same again – but puts the narrative of contemporary human affairs into a new perspective. If it took its author a lifetime to write, one can only feel gratitude that he did it.’[5]Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a ’brilliant summary of story-telling’.[6]
Others have dismissed the book, criticizing especially Booker’s normative conclusions. Novelist and literary critic Adam Mars-Jones, for instance, wrote, ’He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence—the list goes on—while praising Crocodile Dundee, E.T. and Terminator 2’.[7] Similarly, Michiko Kakutani in The New York Times writes, ’Mr. Booker evaluates works of art on the basis of how closely they adhere to the archetypes he has so laboriously described; the ones that deviate from those classic patterns are dismissed as flawed or perverse – symptoms of what has gone wrong with modern art and the modern world.’[8]See also[edit]References[edit]
*^’Terminator 2 good, The Odyssey bad’. The Guardian. 2004-11-21. Retrieved 2019-05-22.
*^’the definition of comedy’. Dictionary.com.
*^Christopher Booker, The Seven Basic Plots, Continuum 2006, p 229-233
*^ abc’The ’Basic’ Plots in Literature’. Archived from the original on 2015-08-21. Retrieved 2013-09-11.
*^’The Seven Basic Plots’. Bloomsbury. Retrieved 2013-03-19.
*^Scruton, Roger (February 2005). ’Wagner: moralist or monster?’. The New Criterion. Retrieved 19 March 2013.
*^Adam Mars-Jones ’Terminator 2 Good, The Odyssey Bad’, The Observer, November 21, 2004, retrieved September 1, 2011.
*^Kakutani, Michiko (2005-04-15). ’The Plot Thins, or Are No Stories New?’. The New York Times. Retrieved 2013-09-11.External links[edit]Retrieved from ’https://en.wikipedia.org/w/index.php?title=The_Seven_Basic_Plots&oldid=1002811674’
For centuries, writers and critics have tried to put stories into basic categories. I’ve written about the scientific quest for universal plot types using the Hedonometer and the theories of Kurt Vonnegut. My colleague Mark Nichol has written about several lists of types of plots: three types, seven types, another seven types, twenty types, and thirty six types. Before I reread Mark’s article, I thought I could combine them all and write my own article called The 69 Types of Plots. Then I heard about the 1928 book Plotto, where dime store novelist William Wallace Cook comes up with 1,462 basic plots. So it never ends.
Is it really true that all stories fit into rigid plot types? Maybe not. Even Plotto‘s categories don’t always seem rigid to me. But human nature does dictate certain rules. There’s a reason why the Computational Story Laboratory’s Hedonometer has a story type “rise then fall then rise” but not one called “rise rise rise rise.” Our emotions need a contrasting break. If you write an experimental story without either conflict or plot or character development, the result will probably not be innovative so much as it will be boring. If you decide to be clever by not tying up any loose ends, you will succeed in frustrating your reader instead of delighting him. No, certain plots are universally attractive, even if we don’t understand why. Even business proposals are easier to adopt if they have a plot.
The theories of psychoanalyst Carl Jung has deeply influenced several list-makers, such as Joseph Campbell (The Hero with a Thousand Faces) and Christopher Booker (The Seven Basic Plots). Jung’s mythology has lost the lion’s share of the popularity it once held. But the fact that stories all over the world have common elements: that’s more than a theory. Joseph Campbell describes 17 stages from Departure, Initiation, and Return. Christopher Booker’s meta-plot has five elements:
*Anticipation
*Dream
*Frustration
*Nightmare
*Resolution
Another theory which you might have learned in school says there are four types of plots. Here is my take on them:
*Dramatic – the traditional chronological story, with a climax and a resolution.
*Episodic – chronological but less linear and more loose, often made up of separate character-based episodes instead of a single story.
*Parallel – two chronological stories are woven together. The focus may shift back and forth from the events of one character to the other.
*Flashback – not chronological: events from the past are sometimes presented after events of the present. This can be interesting but confusing.Python Plot Styles
When I looked at the lists in Mark’s article, I realized that some items are not mutually exclusive. Some lists have a different focus and basic types appear on more than one list. Also, your story can have more than one basic plot or conflict. The longer your story is, the longer you need to hold your reader’s interest, and the more plot elements or conflicts you will need to include. In Plotto, William Wallace Cook makes it to 1,462 by combining and recombining plot elements.Plot Styles Not Reflecting Printed Cad Drawing
One common list of plot types (man against x, man against y, man against z, etc.) is actually a list of conflict types, several of which can appear in a single story.
In a classic amnesia tale, a man regains consciousness with no memory of who he is. He realizes he has driven his car off the road into a snowbank (or into a hole, making him a “man in a hole.”) He is able to start the car (person vs. technology) without freezing to death (person vs. nature). He goes to the home address on his driver’s license and convinces the hostile woman who answers the door – presumably his wife – to let him in (person vs. person) while hiding the fact that he doesn’t remember who she is. His personal calendar tells him he has an appointment in two hours, where he pretends to remember the woman he’s meeting with, learning that they are leaders in a criminal conspiracy (person vs. society). That night, he dreams about his family and associates, He is tempted to deny the evil that he sees (person vs. self) and the fact, as it turns out, that he has dreamed actual events (person vs. supernatural). Aware now of what kind of life he has led, he must decide whether to change his life or continue on the same destructive path (person vs. higher power).Basic Plot Types (69 of them)Autocad Plot Style Path
Finally, here’s a list of all the plot types referred to in Mark Nichol’s article:
*Overcoming the Monster
*Rags to Riches
*Voyage and Return
*Comedy
*Tragedy
*Rebirth
*
Person versus higher power/fate
*Person versus self
*Person versus person
*Person versus society
*Person versus nature
*Person versus the supernatural
*Person versus technology
*
Quest
*Adventure
*Pursuit
*Rescue
*Escape
*Revenge
*The Riddle
*Rivalry
*Underdog
*Temptation
*Metamorphosis
*Transformation
*Maturation
*Love
*Forbidden Love
*Sacrifice
*Discovery
*Wretched Excess
*Ascension
*Descension
*
Supplication
*Deliverance
*Crime Pursued by Vengeance
*Vengeance taken for kindred upon kindred
*Pursuit
*Disaster
*Falling Prey to Cruelty of Misfortune
*Revolt
*Daring Enterprise
*Abduction
*The Enigma
*Obtaining
*Enmity of Kinsmen
*Rivalry of Kinsmen
*Murderous Adultery
*Madness
*Fatal Imprudence
*Involuntary Crimes of Love
*Slaying of a Kinsman Unrecognized
*Self-Sacrificing for an Ideal
*Self-Sacrifice for Kindred
*All Sacrificed for Passion
*Necessity of Sacrificing Loved Ones
*Rivalry of Superior and Inferior
*Adultery
*Crimes of Love
*Discovery of the Dishonor of a Loved One
*Obstacles to Love
*An Enemy Loved
*Ambition
*Conflict with a God
*Mistaken Jealousy
*Erroneous Judgement
*Remorse
*Recovery of a Lost One
*Loss of Loved Ones
If that’s not enough, you can always try Plotto. The system is a little complicated, though.Plot Styles In Revit
Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily!Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:Stop making those embarrassing mistakes! Subscribe to Daily Writing Tips today!
*You will improve your English in only 5 minutes per day, guaranteed!
*Subscribers get access to our archives with 800+ interactive exercises!
*You’ll also get three bonus ebooks completely free!Try It Free Now
Register here: http://gg.gg/p105c
https://diarynote-jp.indered.space
A plot style table in AutoCAD is a collection of plot styles assigned to a layout or to the Model tab. There are two types of AutoCAD plot style tables: color-dependent plot style tables and named plot style tables. Color-dependent AutoCAD Plot Style Tables (CTB). For information, see ’Use Plot Styles to Control Plotted Objects.’ Open the Plot Style Table Editor with any of the following methods: Double-click a CTB or STB file in the Plot Style Manager. Right-click a CTB or STB file in the Plot Style Manager, and then choose Open from the shortcut menu. Style sheets reference¶. This script demonstrates the different available style sheets on a common set of example plots: scatter plot, image, bar graph, patches, line plot and histogram.The Seven Basic Plots AuthorChristopher BookerLanguageEnglishPublished2004Pages736Preceded byThe Great Deception Followed byScared to Death: From BSE to Global Warming
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for thirty-four years.[1]Summary[edit]The meta-plot[edit]
The meta-plot begins with the anticipation stage, in which the hero is called to the adventure to come. This is followed by a dream stage, in which the adventure begins, the hero has some success, and has an illusion of invincibility. However, this is then followed by a frustration stage, in which the hero has his first confrontation with the enemy, and the illusion of invincibility is lost. This worsens in the nightmare stage, which is the climax of the plot, where hope is apparently lost. Finally, in the resolution, the hero overcomes his burden against the odds.
The key thesis of the book: ’However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story. Ultimately it is in relation to this central figure that all other characters in a story take on their significance. What each of the other characters represents is really only some aspect of the inner state of the hero himself.’The plots[edit]Overcoming the Monster[edit]
Definition: The protagonist sets out to defeat an antagonistic force (often evil) which threatens the protagonist and/or protagonist’s homeland.
Examples: Perseus, Theseus, Beowulf, Dracula, The War of the Worlds, Nicholas Nickleby, The Guns of Navarone, Seven Samurai (The Magnificent Seven), James Bond, Jaws, Star Wars, Attack on Titan.Rags to Riches[edit]
Definition: The poor protagonist acquires power, wealth, and/or a mate, loses it all and gains it back, growing as a person as a result.
Examples: Cinderella, Aladdin, Jane Eyre, A Little Princess, Great Expectations, David Copperfield, The Prince and the Pauper, Brewster’s Millions. The Jerk.The Quest[edit]
Definition: The protagonist and companions set out to acquire an important object or to get to a location. They face temptations and other obstacles along the way.
Examples: The Iliad, The Pilgrim’s Progress, The Lord Of The Rings, King Solomon’s Mines, Six of Crows, Watership Down, Lightning Thief, Raiders of the Lost Ark, Monty Python and the Holy Grail.How To Add Plot Style CadVoyage and Return[edit]
Definition: The protagonist goes to a strange land and, after overcoming the threats it poses or learning important lessons unique to that location, they return with experience.
Examples: Ramayana, Odyssey, Alice’s Adventures in Wonderland, Goldilocks and the Three Bears, Orpheus, The Time Machine, Peter Rabbit, The Hobbit, Brideshead Revisited, The Rime of the Ancient Mariner, Gone with the Wind, The Third Man, The Lion King, Back to the Future, The Midnight Gospel.Comedy[edit]
Definition: Light and humorous character with a happy or cheerful ending; a dramatic work in which the central motif is the triumph over adverse circumstance, resulting in a successful or happy conclusion.[2]Booker stresses that comedy is more than humor. It refers to a pattern where the conflict becomes more and more confusing, but is at last made plain in a single clarifying event. The majority of romance films fall into this category.
Examples: A Midsummer Night’s Dream, Much Ado About Nothing, Twelfth Night, Bridget Jones’s Diary, Music and Lyrics, Sliding Doors, Four Weddings and a Funeral, The Big Lebowski.Tragedy[edit]
Definition: The protagonist is a hero with a major character flaw or great mistake which is ultimately their undoing. Their unfortunate end evokes pity at their folly and the fall of a fundamentally good character.Plot Styles
Examples: Anna Karenina, Bonnie and Clyde, Carmen, Citizen Kane, John Dillinger, Jules et Jim, Julius Caesar, Macbeth, Madame Bovary, Oedipus Rex, The Picture of Dorian Gray, Romeo and Juliet.Rebirth[edit]
Definition: An event forces the main character to change their ways and often become a better individual.
Examples: Pride and Prejudice, The Frog Prince, Beauty and the Beast, The Snow Queen, A Christmas Carol, The Secret Garden, Peer Gynt, Groundhog Day.The Rule of Three[edit]Matplotlib Plot Styles
’Again and again, things appear in threes . . .’ There is rising tension and the third event becomes ’the final trigger for something important to happen’. We are accustomed to this pattern from childhood stories such as Goldilocks and the Three Bears, Cinderella, and Little Red Riding Hood. In adult stories, three can convey the gradual working out of a process that leads to transformation. This transformation can be downwards as well as upwards.Booker asserts that the Rule of Three is expressed in four ways:
*The simple, or cumulative three, for example, Cinderella’s three visits to the ball.
*The ascending three, where each event is of more significance than the preceding, for example, the hero must win first bronze, then silver, then gold objects.
*The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf.
*The final or dialectical form of three, where, as with Goldilocks and her bowls of porridge, the first is wrong in one way, the second in an opposite way, and the third is ’just right’. [3]Precursors[edit]
*William Foster-Harris’ The Basic Patterns of Plot sets out a theory of three basic patterns of plot.[4]
*Ronald B. Tobias set out a twenty-plot theory in his 20 Master Plots.[4]
*Georges Polti’s The Thirty-Six Dramatic Situations.[4]
*Several of these plots can also be seen as reworkings of Joseph Campbell’s work on the quest and return in The Hero with a Thousand Faces.Reception[edit]
Scholars and journalists have had mixed responses to The Seven Basic Plots. Some have celebrated the book’s audacity and breadth. The author and essayist Fay Weldon, for example, wrote the following (which is quoted on the front cover of the book): ’This is the most extraordinary, exhilarating book. It always seemed to me that ’the story’ was God’s way of giving meaning to crude creation. Booker now interprets the mind of God, and analyses not just the novel – which will never to me be quite the same again – but puts the narrative of contemporary human affairs into a new perspective. If it took its author a lifetime to write, one can only feel gratitude that he did it.’[5]Beryl Bainbridge, Richard Adams, Ronald Harwood, and John Bayley also spoke positively of the work, while philosopher Roger Scruton described it as a ’brilliant summary of story-telling’.[6]
Others have dismissed the book, criticizing especially Booker’s normative conclusions. Novelist and literary critic Adam Mars-Jones, for instance, wrote, ’He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence—the list goes on—while praising Crocodile Dundee, E.T. and Terminator 2’.[7] Similarly, Michiko Kakutani in The New York Times writes, ’Mr. Booker evaluates works of art on the basis of how closely they adhere to the archetypes he has so laboriously described; the ones that deviate from those classic patterns are dismissed as flawed or perverse – symptoms of what has gone wrong with modern art and the modern world.’[8]See also[edit]References[edit]
*^’Terminator 2 good, The Odyssey bad’. The Guardian. 2004-11-21. Retrieved 2019-05-22.
*^’the definition of comedy’. Dictionary.com.
*^Christopher Booker, The Seven Basic Plots, Continuum 2006, p 229-233
*^ abc’The ’Basic’ Plots in Literature’. Archived from the original on 2015-08-21. Retrieved 2013-09-11.
*^’The Seven Basic Plots’. Bloomsbury. Retrieved 2013-03-19.
*^Scruton, Roger (February 2005). ’Wagner: moralist or monster?’. The New Criterion. Retrieved 19 March 2013.
*^Adam Mars-Jones ’Terminator 2 Good, The Odyssey Bad’, The Observer, November 21, 2004, retrieved September 1, 2011.
*^Kakutani, Michiko (2005-04-15). ’The Plot Thins, or Are No Stories New?’. The New York Times. Retrieved 2013-09-11.External links[edit]Retrieved from ’https://en.wikipedia.org/w/index.php?title=The_Seven_Basic_Plots&oldid=1002811674’
For centuries, writers and critics have tried to put stories into basic categories. I’ve written about the scientific quest for universal plot types using the Hedonometer and the theories of Kurt Vonnegut. My colleague Mark Nichol has written about several lists of types of plots: three types, seven types, another seven types, twenty types, and thirty six types. Before I reread Mark’s article, I thought I could combine them all and write my own article called The 69 Types of Plots. Then I heard about the 1928 book Plotto, where dime store novelist William Wallace Cook comes up with 1,462 basic plots. So it never ends.
Is it really true that all stories fit into rigid plot types? Maybe not. Even Plotto‘s categories don’t always seem rigid to me. But human nature does dictate certain rules. There’s a reason why the Computational Story Laboratory’s Hedonometer has a story type “rise then fall then rise” but not one called “rise rise rise rise.” Our emotions need a contrasting break. If you write an experimental story without either conflict or plot or character development, the result will probably not be innovative so much as it will be boring. If you decide to be clever by not tying up any loose ends, you will succeed in frustrating your reader instead of delighting him. No, certain plots are universally attractive, even if we don’t understand why. Even business proposals are easier to adopt if they have a plot.
The theories of psychoanalyst Carl Jung has deeply influenced several list-makers, such as Joseph Campbell (The Hero with a Thousand Faces) and Christopher Booker (The Seven Basic Plots). Jung’s mythology has lost the lion’s share of the popularity it once held. But the fact that stories all over the world have common elements: that’s more than a theory. Joseph Campbell describes 17 stages from Departure, Initiation, and Return. Christopher Booker’s meta-plot has five elements:
*Anticipation
*Dream
*Frustration
*Nightmare
*Resolution
Another theory which you might have learned in school says there are four types of plots. Here is my take on them:
*Dramatic – the traditional chronological story, with a climax and a resolution.
*Episodic – chronological but less linear and more loose, often made up of separate character-based episodes instead of a single story.
*Parallel – two chronological stories are woven together. The focus may shift back and forth from the events of one character to the other.
*Flashback – not chronological: events from the past are sometimes presented after events of the present. This can be interesting but confusing.Python Plot Styles
When I looked at the lists in Mark’s article, I realized that some items are not mutually exclusive. Some lists have a different focus and basic types appear on more than one list. Also, your story can have more than one basic plot or conflict. The longer your story is, the longer you need to hold your reader’s interest, and the more plot elements or conflicts you will need to include. In Plotto, William Wallace Cook makes it to 1,462 by combining and recombining plot elements.Plot Styles Not Reflecting Printed Cad Drawing
One common list of plot types (man against x, man against y, man against z, etc.) is actually a list of conflict types, several of which can appear in a single story.
In a classic amnesia tale, a man regains consciousness with no memory of who he is. He realizes he has driven his car off the road into a snowbank (or into a hole, making him a “man in a hole.”) He is able to start the car (person vs. technology) without freezing to death (person vs. nature). He goes to the home address on his driver’s license and convinces the hostile woman who answers the door – presumably his wife – to let him in (person vs. person) while hiding the fact that he doesn’t remember who she is. His personal calendar tells him he has an appointment in two hours, where he pretends to remember the woman he’s meeting with, learning that they are leaders in a criminal conspiracy (person vs. society). That night, he dreams about his family and associates, He is tempted to deny the evil that he sees (person vs. self) and the fact, as it turns out, that he has dreamed actual events (person vs. supernatural). Aware now of what kind of life he has led, he must decide whether to change his life or continue on the same destructive path (person vs. higher power).Basic Plot Types (69 of them)Autocad Plot Style Path
Finally, here’s a list of all the plot types referred to in Mark Nichol’s article:
*Overcoming the Monster
*Rags to Riches
*Voyage and Return
*Comedy
*Tragedy
*Rebirth
*
Person versus higher power/fate
*Person versus self
*Person versus person
*Person versus society
*Person versus nature
*Person versus the supernatural
*Person versus technology
*
Quest
*Adventure
*Pursuit
*Rescue
*Escape
*Revenge
*The Riddle
*Rivalry
*Underdog
*Temptation
*Metamorphosis
*Transformation
*Maturation
*Love
*Forbidden Love
*Sacrifice
*Discovery
*Wretched Excess
*Ascension
*Descension
*
Supplication
*Deliverance
*Crime Pursued by Vengeance
*Vengeance taken for kindred upon kindred
*Pursuit
*Disaster
*Falling Prey to Cruelty of Misfortune
*Revolt
*Daring Enterprise
*Abduction
*The Enigma
*Obtaining
*Enmity of Kinsmen
*Rivalry of Kinsmen
*Murderous Adultery
*Madness
*Fatal Imprudence
*Involuntary Crimes of Love
*Slaying of a Kinsman Unrecognized
*Self-Sacrificing for an Ideal
*Self-Sacrifice for Kindred
*All Sacrificed for Passion
*Necessity of Sacrificing Loved Ones
*Rivalry of Superior and Inferior
*Adultery
*Crimes of Love
*Discovery of the Dishonor of a Loved One
*Obstacles to Love
*An Enemy Loved
*Ambition
*Conflict with a God
*Mistaken Jealousy
*Erroneous Judgement
*Remorse
*Recovery of a Lost One
*Loss of Loved Ones
If that’s not enough, you can always try Plotto. The system is a little complicated, though.Plot Styles In Revit
Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily!Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:Stop making those embarrassing mistakes! Subscribe to Daily Writing Tips today!
*You will improve your English in only 5 minutes per day, guaranteed!
*Subscribers get access to our archives with 800+ interactive exercises!
*You’ll also get three bonus ebooks completely free!Try It Free Now
Register here: http://gg.gg/p105c
https://diarynote-jp.indered.space
コメント